Stores, shops and service establishments not included under hospitality
Choose license Do I need a licence for my activity?

​If you use protected works on your premises, then you need to obtain permission from the corresponding copyright holders. We are conscious it is impossible to obtain permission from all the individual authors, but you needn’t worry; to be able to use any musical or audio-visual work which is part of the repertoire of SGAE, whether it is Spanish or from abroad, you will need our licence to make use of such repertoire and increase the profitability of your business.

Examples of fees
Up to 50 m² of gross surface area 8,08 €
From 51 to 100 m² 15,15 €
From 101 to 150 m² 22,21 €
From 151 to 200 m² 29,26 €
From 201 to 250 m² 36,31 €
From 251 to 300 m²

43,38 €
Over 300 m² Please consult the general table of fees


Hasta 50 m² of gross surface area 10,29 €
From 51 to 100 m² 19,75 €
From 101 to 150 m² 29,22 €
From 151 to 200 m² 38,7 €
From 201 to 250 m² 48,16 €
From 251 to 300 m²

57,63 €
Over 300 m² Please consult the general table of fees


Due to space constraints, the information shown in the present table is only an extract or summary of the corresponding fee heading. To view the full table of fees and all the details about your application, use this link ​​​​

Adaptation of Law 21/2014. Link

What does this licence include?

  • Background music

    Use of the musical repertoire through any medium (radio, TV, CD, the Internet)​

  • Background audio-visuals

    Use of the audio-visual repertoire through any medium (TV, the Internet, video, ...)​

Puedes consultar tu licencia en el siguiente PDF

General conditions

¿Quieres obtener tu licencia?

Solicita aquí tu licencia y un representante de SGAE se pondrá en contacto contigo para la formalización del contrato


  • What criteria are used to establish the fees? (Accommodation)

    ​The use of the SGAE or foreign repertoire of dramatic works or Major Right works requires a different management regime from that for audio-visual or musical works, since dramatic works are managed under a mandate, with the rights holder retaining the exclusive right to authorize or not the express conditions for use, which means that the copyright amount or fee charged for the use of the Major Rights repertoire is a power exercised exclusively by the rights holders.

    The kind of tariff applied for the Public Communication of dramatic works is usually a percentage of the box-office revenue but the amount depends on several factors: where the aim is to put on an adaptation of the original work, a percentage is usually reserved for the adapter; when the work requires the authorization of third parties with rights over any music to be included or synced; when there are other registered holders of works included in the final result, … In other words, after a process of negotiation between the party requesting authorization and the different registered holders of the rights to the work, a final fee is agreed on and this is the rate applicable to the performances of the dramatic work.

    Since the fee is applied in the form of a percentage of the box-office revenue, it could happen that the event’s sponsors either do not establish any ticket price, do not declare it or else arrange for free admission or subsidized or promotional offers, all of which end up impacting on the tariff set in the authorization by the rights holder since the percentage is not being applied to the real basis of the business in question. For this reason, rights holders often set a minimum fee per performance, i.e. a minimum amount that ensures a sufficient consideration and this will prevail in those cases where the percentage applied to the box-office prices turns out to be lower.

    At the same time, these minimum fees enable the SGAE, as part of its responsibility to manage the collection of royalties, to apply these rates when there are no box-office records or no information is available about the takings at these performances.

    Through its Stage Arts Area, the SGAE processes the authorizations requested for dramatic works in order to generate a specific licence for each work in accordance with the mandate received from the rights holders. These licences regulate the tariffs mentioned and the conditions for use: territories, adaptation, exclusivity, languages, duration, … This licence processing activity includes the SGAE’s own repertoire and the foreign repertoires of other management societies or Dramatic Agents who engage the SGAE to manage their rights.​

  • If I buy original CDs or acquire music on the Internet, why do I have to pay?

    ​Because the purchase of a CD, cassette, vinyl record, etc. does not entail the right to play it in public. When you purchase a phonographic recording, you only acquire the right to use it in private.​​

  • Why do I have to pay to SGAE and to AGEDI-AIE?

    ​Due to the wide variety of rights holders present in certain exploitations of works and benefits protected contained in a particular medium. In other words, the SGAE manages the Rights of Authors, while the AGEDI deals with those of Phonographic Producers and the AIE those of Performing Artistes.​

¿Quieres obtener tu licencia?

Solicita aquí tu licencia y un representante de SGAE se pondrá en contacto contigo para la formalización del contrato